Here is the result from last weekend. There are some things to fix of course.
Sword and Shield Modeled
Work In Progress / 05 June 2020
I still need to UV tomorrow and hopefully block in the base color, took me the better part of a week just to model, even though this is a texturing course, it will be the least time spent in the process.
Sword and Shield Model
KyleHorne3D@gmail.com
Texture Painting and Sculpting - TPS
Work In Progress / 02 June 2020
Reports. Lumberg... Anyways I Started the third class this year auditing Full Sail Online courses for Game Art. Following the tutorial by Tyson Murphy for Hand Painted Sword and Shield.
Method used: Mesh Tools >
Create Polygon Tool
Maya Low Poly
KyleHorne3D@gmail.com
Week 4 Final Turn in
Work In Progress / 01 June 2020
Wooden Chest. Modeled in Maya textured in Substance Painter, setup in Unreal Engine 4.
Wooden Chest - Unreal 4
KyleHorne3D@gmail.com
Wooden Chest Begin Texturing
Work In Progress / 30 May 2020
*WIP Art Creation for Game Final week.
I realized that I have to go back and add some beveled edges for the corners at least. There are some normal map baking issues. and some AO issues where the geometry is an intersection.
I was learning more about how to use iD maps in Maya by using the Mesh Display > Apply Color to then export a Game Res with the colors applied.
Wooden Crate Substance. Basic materials applied.
No Overlapping UV's
KyleHorne3D@gmail.com
Wooden Chest HR, Pre-Sculpt
Work In Progress / 27 May 2020
Wooden chest modeled for subdivision smoothing preview in Maya. Holding edges will be deleted for the Game Res, this was to match the silhouette and to help baking before taking this sculpt into Zbrush and Sub Painter.
3 Mode with and without wireframe.
- Kyle Horne
KyleHorne3D@gmail.com
Week 4 - Wooden Chest
Work In Progress / 26 May 2020
Wooden Chest Blockout to Near Game Res. *WIP
2.5 Hours
Modeled in Maya. Will texture later in Substance and setup in Unreal
BreakDown colorized for repeatable parts with symmetry. Created in Pure Ref.
Week 3 Turn In - Greek Pillar
Work In Progress / 25 May 2020
Substance Painter and Unreal. The base model in Maya. This was my first full week with Substance Painter. I learned a lot
TDR Delay- settings in the Regedit.
Full-Screen Mode - Tab in Sub and F11 in Unreal
Pillar UE4
Pillar Material Node setup
Pillar Behind the scenes in Substance Painter
Thanks!
KyleHorne3D@gmail.com
Back into Unreal
Work In Progress / 20 May 2020
Full Sail Art Creation for Games Audit. *WIP
Been a long time since I used Unreal. Created some Base materials just using constants and some provided normal maps.
Pillar Base Material WIP*
Week 2 Turn in - Art Creation for Games - Full Sail Online Audit
Work In Progress / 18 May 2020
This week was not as challenging as the first one. There was mostly UV unwrapping to do with minimal modeling. I enjoyed this listening to music mostly. The big takeaway here was to use automap.
UV lessons
For Curved shells - the steps are to select all curved edges. Cut. Then move and sew each piece onto a straight shell.
Unitize - First select all the edges of a tube shape. DESELECT all the edges you want to act as seems. Then move and sew.
Select Continous Edge - This is amazing
Prop UV - Part 4
Prop UV - Pillar -Modeled, sculpted, Normal, UV
Prop UV - Part 6 - UV
